G L E E M by Freddy Carrasco

So one of my favourite visual artists and my very close friend, FREDDY BREADY as I like to call him– wrote and illustrated this absolutely phenomenal graphic novel titled ‘G L E E M’. From it’s inception he’d show me the process, ask for my opinion and generally just have dialogues about it all. I was so honoured to have played any part it in at that point .. then he says he’s doing animated trailers and -at the time him being one of the only people knowing that I make music- he asked me to score these animated trailers. Obviously I said yes. Links to trailers on each screenshot.

‘G L E E M’ is out now, you should get it and read it- it’s three thrilling tales centred around various issues with black characters taking the lead. A far cry from what I’d grown up seeing in any sort of graphic novel, comic book or the like. I don’t want to give a review because theres an amazing one you should read that exists already.
Watch the trailers with sound on, hit me and let know what you think of the score. Oh and I’m releasing my LP soon :3.

Exercises in Doubt

Shot the AFFIX SS19 collection for Nomad, under the title ‘Exercises in Doubt’. Human, is what I wanted to convey from this shoot- I often use that word to describe the ‘fashion editorials‘ I do. It’s in reference to the idea of nothing feeling too far from the viewer, I wanted the reactions to be A: I could’ve taken that photo B: I could’ve worn that outfit C: I could’ve styled this. I wanted it to be so relatable that it appears effortless- but add small touches such as jacket floating off body- that it had another layer of intrigue.


WCROW® and I were back together to shoot their FUTURE NOSTALGIA collection ahead of its release.
I slept 2 hours the night before and we shot for about 14 hours- I remember hitting the brink of exhaustion and as I felt myself tapping out, I entered a surreal state of nirvana. I definitely won’t use those means to enter that state again but it was wonderful to feel that in any capacity. Oh I can also confidently say none of us were sick of each another by the end of the shoot and if we weren’t friends forever prior to this day, we definitely were after lol.
Thanks to everyone who took part and to my guys Devante and Gennelle who Vince brought on to assist (they also took the BTS shots at the end of this post), top 10 assistants I’ve ever had.


My baby brother Kojo released his single ‘Perfect’ which I shot the cover art for- I’ve known Kojo for maybe 6 years? It was like I stepped into a time portal when I stumbled across a photo of him on my VSCO (which I haven’t used in a very long time). Needless to say I’m proud of him, I’m months late in posting this- he’s released his entire project at this point. A soundscape for the inquisitive, familiar yet new. WGM is my favourite right now, whats yours?


My good friends Vince and Tomo of WCROW® released their AW19 collection at Nomad.

The idea for the editorial came to me in a dream, I had a vision about ‘points of contact’, I’d capture that slight moment when one person is being tackled by another and they’re in stasis. That place where two bodies are no longer their own- imagine when you’ve fallen or you’ve been struck and you can’t recall what you saw when it happened. The world spun, your body gave in, you’re left in the aftermath. I titled the editorial ‘Stalemate‘ to represent that space where nothing can be gained or lost.

To be quite candid I have my own criticisms of how I handled the photography, ask me about them in person and we can have a talk about spur the moment decision making and what should or shouldn’t be prioritized on a shoot.
Thank you to Jonah and Jasmine for tackling one another for 40 minutes with me on a chilly day haha, love you both.

BETTER™️ / Shaun Crawford for DSM

For Dover Street Market’s 15 Year Anniversary Better™️ and Shaun Crawford came together to create a capsule collection dubbed ‘Monochromatic Market’. Hand dyed Gitman Vintage and Carhartt pieces each dawning their own unique qualities.
I popped by to see my guys on a sun glazed fall afternoon and shot the collection on Max. I also shot the collection on my brother Liam while he was in town prior- unfortunately my T4 wasn’t cooperating that night so most of the flicks of him were unusable (with that said I still regret selling it lol).


It’s January 2nd, it’s been about 4 months since Charlotte released her single ‘Mountains‘, tbh my life has been a bit of whirlwind since. Sitting here reflecting on life when we shot this it feels as though so much has changed. So many more experiences taking precedent over joys and ills of the past.
With that said, I’m stoked to have shot this cover- I vividly remember Charlotte sending the demo and the flood of emotions I felt upon first listen. We’ve got a lot more imagery coming out that we’ve been working on and I can’t wait to share it with you.


I was blessed with the opportunity to shoot Caribana for i-D‘s ‘straight up’ series. I haven’t been to Caribana in maybe 9 years or more, it was interesting to be in the setting again as an entirely different person. It was amazing to meet so many new people during the interview process and run into a lot of friends along the way. I also ran into my sister who was so shocked to see me there lol, as I’ve been teased as the ‘least Jamaican’ or ‘most Canadian’ in my family my entire life. All thanks to Hazel for making this happen!


Styling/MUA + Hair by Summer Ellis (who pretty much creative directed the shoot along with me too). The first of hopefully many projects Summer and I get to do together. We wanted to take a lot her archive pieces from Comme/Issey/Yohji and set them with Angaer against a stark hotel in the middle of nowhere, an unusual setting for such prestigious garments. Full editorial soon.


On August 1st, I did a lecture at Artscape Daniels Launchpad titled ‘FORMULAS: Deconstructing Self’, released my first photo book “PULSE” and had a listening party for the EP I’ve been working on. Moderated by my brother Michael Nyarkoh, installation by Alyssa Alikpala. The lecture was a dialogue on the importance of deconstructing self in order to attain growth and various formulas for approaching this deconstruction. I gave so much of myself that night that I was emotionally/mentally empty, a week or so later I still haven’t entirely processed my emotions- but the root is joy. My music is very dear to me so to abruptly share it with so many people was jarring. I wouldn’t have it any other way though.

I plan to continue this lecture at different venues, my music will be coming out soon and there are a few copies left of my photo book. I’ll be posting when and where they’ll be available- if you’re curious now you can send me an email and we can chat. Thanks to everyone that was involved and thank you to anyone that shared the space with me. Event photos by Nyaomi.


I conceptualized a book donation program for the Nia Centre for the Arts alongside Executive Director Alica. When I visited the Nia Centre for our exhibiton “Eglinton Cityscapes : New Persepectives on Home” Alica showed me their growing library- I was in the process of moving at the time and thought about all the books I had (that I love but would part ways with for the right reason) and how this would be a great opportunity to share information/inspiration with emerging black artists that use the space.

We ran into each other a few months later and came up with the idea of having artists donate books and being interviewed on why they chose said books to donate. I donated Shaniqwa Jarvis’ self titled photo book. Read the interview below.

Q:Why did you choose this book?
I chose Shaniqwas’ book because her work is a great identifier for black photographers as it spans across many different orbits. Her existence as a black female photographer (whose dealt with sexism, racism as well as being under appreciated/undermined) is a revolutionary act in itself- the fact that she’s persevered and made timeless work for over 20 years is exciting and inspiring. I want this book to be among other black artists who may need a reminder when their creative professions/pursuits become stifling and we forget there are reference points out there for us that have laid guidelines on how we can operate. Beyond race as a qualifier, she’s found a way to translate various realms of photography (personal, commercial, fashion, fine art) in a very fluid and personal way. It’s an amazing book that highlights the various ways a photographer can approach their style and that they don’t have to flow in any specific stream.

 Q: Why should Black artists read this book?
Shaniqwa is an amazing photographer first and foremost, that’s the main reason I chose this book. Ultimately, I hope it encourages black artists to further dive into her story and learn about the obstacles she faced and how she’s managed to overcome them. And also recognize that her story is one of many and that whatever they’re facing isn’t unique, there are others who have dealt with similar challenges and not to feel like they need to tackle any of it alone. Walk towards people who support and uplift you wholeheartedly, give what you can when and where you can, make sure your heart and intentions are pure and continue to grow.

Q:How did it help your artistic practice?
It helped me understand the scope of where photography can be taken and generally was thrilling to own a book from such an amazing black woman.

Q: What your favourite quote or line?
There’s no text, but my favourite photo is the cover photo which Shaniqwa took of her niece, styled in her clothes and using her phone


Okay – Better Gift Shop released their run of summer t’s as well as their collaboration with artist Shaun Crawford (Corpuz drew the dog t shirt and he absolutely nailed it). We had a great day, after the shoot we watched the sunset as purple and pink hues sparkled across the seemingly endless water- minds wandering off individually in unison. Scroll down for portraits of everyone after the shoot to finish my roll (rather then clipping it early).


I’m extremely proud of my brother Kwame for creating L’oeuvre, I remember him telling me in brief (he’s like me and doesn’t like to harp too much on his ideas in conversation until they’re actualized) about it. It was a pleasure to be able to contribute to his platform and create a beautiful project together. Oh, Kwame is also the first person to buy one of my prints- we’re linked for life at this point lol.

Mia Carucci, Kali Jorja Tour

Spent the day with my extended family Mia Carucci on the last day of her tour alongside Kali Uchis and Jorja Smith. It was amazing to be in the presence of/meet so many extraordinary woman and watch them all give surreal performances.

Reading Materials

There’s fresh hell every day. Morning, afternoon, and evening we’re invited to look at something horrible, if we’re lucky; most often, this violence arrives without warning or consent. And that’s just the news. Art has its own knives and hammers, and it’s a long-held belief among many artists and critics that we the audience must be shocked into a better apprehension of our reality. But what do we gain by absorbing these blows? What can we learn by turning away?

Ross Scarano

A few friends had been asking me for book recommendations prior to this shoot being published. I started with the excerpt from the phenomenal write up by Ross because it sets the entire tone beyond just my photos tbh. To anyone looking for a new/or a few new books to dig into, here’s Reading Materials Part 4 for SSENSE, hope you enjoy. Also full spread in the editorial section.


Shot this phenomenal human being @bam_bii for her new mix for @indiemagazine, styled by @bypseudonym. Bambii has always believed in me, even when I didn’t believe in myself. I have flashbacks of sparse interactions before we knew each other as well as we do now, where she would reaffirm my goals and urge me to proceed. Listen to the mix, it’s amazing, DM her on instagram and tell her you love her and tell her she’s amazing for everything she’s done thus far and will continue to do.


I was blessed with the opportunity to partner with ASICS Tiger from June to December 2018 as an ambassador (The Chicago Lollapalooza post a few scrolls down was a prelude to this), creating photos and short videos that lived online. For a large portion of my career I’ve tried to highlight my very talented friends as much as possible, so it was amazing to bring them on board and place them in familiar/relevant settings. I wanted everything I created to feel very human and natural, not overproduced or selling you a product. Just a glimpse of the ASICS tiger brand in relatable settings. You can see the short videos on my instagram highlights and for a snippet from the ASICS Tiger introspective panel discussion that brought this to life (ASICS Tigers first ever Canadian event) click here.


My brothers Tomo and Vince launched W.CROW late last year and I was blessed to be able to shoot the first collection- titled OPEN HOUSE. I remember having a conversation with Tomo two years ago on the patio of my old apartment when W.CROW was still an idea, him telling me he definitely wants me to be apart of the visual process and explaining the ideologies and direction. To be present and able to take part in its actualization means more to me than I can put into words. Full editorial incoming soonEditorial now live. Shop the collection here– you will not be disappointed.


I had the honour of shooting Michael Lee Chin, billionaire and philanthropist for the Globe and MailsReport on Business‘ Magazine.

Being of Jamaican descent and knowing the struggles my parents faced before coming to (and while in Canada) it was inspiring to meet someone who shared that narrative and reshaped its usual outcome. To see someone who looked like me take up space in a position that you don’t often see was beyond inspiring. I implore you to also read the article as his story is very insightful.

Oh and when we greeted each other, I went in for a handshake and he gave me a pound- that spoke volumes.


I’ve been really busy as of late, a lot of huge life changes that led to me working more than updating my website. Over the next few weeks I’m going to be updating here and there and letting my website catch up to me.

With that said I was blessed to be able to participate in Myseum of Toronto’s exhibition and panel discussion ‘WHERE ARE YOU FROM? WHERE ARE YOU GOING?” last spring. Having my photos on the jumbotron in the city I grew up and speak on a panel -which I haven’t done in a long time, was an honour.



Lollapalooza marks my first music festival and first time in Chicago- tbh I’m naturally introverted so initially it was a bit of shell shock to be surrounded by so many different energies at once. I overcame it by day 2 but I definitely wasn’t prepared for it off the bat. It was a blessing to be able to experience a music festival this grande at least once in my life time, thanks to my Asics Tiger family for the opportunity.

I didn’t take many pictures but here’s a set of a few moments that I managed to take while trying to not implode lol.


I had the pleasure of shooting the Heron Preston X NASA collaboration for SSENSE, creative directed and styled by the amazing Romany Williams. One of the best teams I’ve worked with in a long time, you can view the entire editorial here and I encourage you to actually read the write up and not just ‘click click, scroll scroll’.


This is probably the most personal interview I’ve done yet- touching on sources of inspiration, purpose and intent. You can read it in full here.


Did a short interview with Freshmen Friday about current life and times. A departure from my usual dialogue directly surrounding my work, you can read it in full here.

SP Badu FW 18


I shot the campaign video for SP Badu’s FW18 collection, the lookbook was shot by my favourite photographer Neva Wireko. Paper Magazine has a great write up with Spencer, a good friend and the designer. You can read that here and watch the video embedded or directly here.

2;Ep1 for LA Timpa

I directed and edited “2;Ep1” for L.A. Timpa, it premiered on The Fader, you can watch it here.

I wanted to pursue the mundane and remove the familiarity between myself and everything around me. Instead allowing my interactions to exist outside of how my mind instinctively catalogues and labels things based on what I ‘know’- essentially ignoring basic analytical skills for direct sensory experience.

“In order to see we must forget the name of the thing we are looking at”.

Producer / Creative Director : Neva Wireko
Stylist : Taylor Thorski assisted by Jessica Canje

Hypebeast Issue 20

Shot and styled an editorial for Hypebeast Issue 20 titled ‘FOSTER CHILD’.

I wanted to shoot a story based on the stigmas surrounding foster children – (delinquents, misbehaved, troubled, myriad of past complications etc) and present ‘beautiful fashion images’ in an attempt to help alter the usual negative imagery/narratives we’re constantly presented. If not that, at least open a dialogue among peers so we can question our own viewpoints, source where they came from and begin a process of growth.
Assisted by Alyssa Alikpala, modelled by Richard Goodman. Special thanks to my guys GHOSTCURRENCY and
Andrew Power. If you can’t pick up a copy you can see it in the editorial section.



When Birds Migrate

Shot a new editorial for HBX/HYPEBEAST titled ‘ When birds migrate’. Creative directed by Alyssa Alikpala, styled by Alyssa and Taylor Chung, modelled by Jonah Yano and assisted by GHOSTCURRENCY.  You can see it here or in the editorial section.


“Toronto, with its burgeoning cultural mosaic, is home to a diverse population that has diffused into the unique landscape that it is today. Shot through the lens of Othello Grey, our 2018 “When Birds Migrate” editorial focuses on the local businesses —bodegas, greasy spoon diners, Chinese take-out restaurants — that all posses charm in their unusual and dissonant appearances. These establishments have been independently operated since the first wave of immigrants who traveled bravely across waters.”


I recently sat down with Paper Magazine for an in depth interview. I touch on a transitioning from just ‘taking photos’ to translating ideas into a tangible product, disconnecting from my social identity/instant gratification, early stages of my career and a few other topics. You can read it here.


Had the pleasure of shooting a new editorial for HAVEN titled ‘LIQUID MOON’, styled by Alyssa Alikpala and modelled by Joe Yates. You can view the full editorial here or in the ‘Editorial’ section.

The title ‘LIQUID MOON’ is an ideology I created around the idea of light / energy flow. The ‘moon’ represents us as beings, reflecting the energy we’re given back onto the world around us (as the moon reflects the light from the sun). Negativity breeding negativity, positivity breeding positivity, excitement breeding excitement etc. The ‘liquid’ aspect represents our fluidity, the ability to take the shape of that energy we’re given. Constantly changing / growing / evolving based on what we encounter. I strongly believe in the idea of universal energy and the ability to bring what we desire closer to us through will (but not through will alone) and that having the self awareness of this reactionary existence can allow you to navigate the world freely. Not being controlled by the energies you encounter but rather having the ability to absorb and dismiss based on what you require or want for your life.


I recently took a trip to the Dominican Republic, I wanted to document how diverse their lives are in comparison to the western world. Far from a digital identity as a counterpart/confidant they exist solely in the moment. Flip phones, spotty wifi, constant attempts to sell whatever possible to an obvious foreigner. An overall underlying tension of disdain beneath the beautiful scape. Conversations were spotty because of language barriers, interactions were usually based off of a hope for some sort of monetary exchange- never enough to annoy but always enough to feel a sense of need. An oasis that’s missing it’s core. View the full editorial on Coeval Magazine or in the editorial section.